the black body in ecstasy: reading race, reading pornography. Jennifer C. Nash, Duke University Press, Durham, NC, , pp., ISBN: , $ (Pbk) For understandable reasons, black feminists traditionally treat pornography as a damaging form of visual representation for black women. In agreement with Andrea Dworkin and. In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of bltadwin.ru analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. The Black Body in Ecstasy is a fascinating, well-argued text. Nash acknowledges her debts to previous black feminist scholarship while parting ways with certain tendencies and commitments. As Nash examines the intersections of race, gender, sexuality and visual culture, she offers a corrective to approaches that emphasise the pain and wounds of Estimated Reading Time: 6 mins.
Rachel Corbman. Rachel Corbman received a PhD in Women's, Gender, and Sexuality Studies from Stony Brook University in , and is currently a Visiting Assistant Professor of Women's, Gender, and Sexuality Studies at Wake Forest University. Her research and teaching interests span feminist studies, queer studies, disability studies, the public. Download Full PDF Package. This paper. A short summary of this paper. 36 Full PDFs related to this paper. READ PAPER. Review of Jennifer Nash's The Black Body in Ecstasy. Download. In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of bltadwin.ru analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects.
Book Description: In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of bltadwin.ru analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. The publications of Jennifer Nash’s The Black Body in Ecstasy: Reading Race, Reading Pornography and Mireille Miller-Young’s A Taste for Brown Sugar: Black Women in Pornography directly and indirectly respond to Hammonds’s call for more complex analyses of black female sexuality, in these cases using pornography as a primary site of.
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